So many of us are pushed for time these days.  Families demand our attention as do our civic commitments.  We get up early trying to get one extra thing done.  We stay up late trying to finish just one more thing from our ever-extending to-do list.

We need more time we groan.  And it’s true, we do need more time.  But…how much time do we manage to waste in a day?

The first thing you need to know is when is your most productive time of the day?  Early morning? Mid afternoon?  Late at night when even the mice are sleeping?

Second, limit the number of items on your ‘to-do’ list to four or five of the most CRITICAL items.  If you absolutely MUST pay your utility bill or be shut off, that becomes a critical item.  Forwarding on the latest Maxine cartoon is not. (more…)

Our business is selling e-Books.

Sometimes selling e-Books isn’t as easy as the media and others would like us to believe.  Despite the fact that nearly two million new e-readers were sold by the end of 2009, a lot of people you might talk to on the street, in your place of worship, at work have not heard of them.

Many people are just now hearing about these portable devices thanks to commercials showcasing the Sony reader and the Nook from Barnes and Noble. 

But how will these new clients look for content for their readers?

That is where you, the author, need to think about the content of your story.

There are loads of products available via the web on how to promote your writing, but a good three quarters or more are dedicated to non-fiction writing.  So how can you take that information and apply it to your fiction work? (more…)

If you really want to make your writing stand out, you need to actively hunt for clichés in your prose.  Clichés are tried and true, yes, but they are also boring and lazy.  You are a writer who wants to tell the best possible tale…do so by hunting those cliché’s down and killing them.

This may require another author’s eyes.  A critique partner, even a beta reader if you tell them in advance that you want them  to look for clichés.

What are some clichés you can look for?  Here are a FEW.  There are thousands, if not more.

A breath of fresh air.

Dumb as a rock.

Dog tired.

Dog days of summer.

Fresh as a daisy.

Sardines in a can.

Sharp as a tack/pin.

Played like a violin/Stradivarius.

As cold as ice.

Better late than never.

Time flies/time flies when you’re having fun.

Old hat.

No bones about it.

Like the pot calling the kettle black.

Dead as a doornail.

Stiff as a board.

Bored stiff.

Bored to tears/death.

I think you get the idea.  These things creep into our writing without us being aware of them.  Frequently, it takes another set of eyes to reveal these clichés. 

You can take some of these and turn them on their head.  What if you said, “Dead as a zombie”?  This is fresh.  This gives you a different picture of someone that may be dead and just extremely tired.  If you are writing a zombie story, this would be a phrase we’d identify as a thematic phrase because it echoes what your tale is about…zombies.  And, of course, if you use this phrase, you get a very different sort of picture as zombies aren’t entirely dead.  Your character could be telling another character that this person who is dead as a zombie isn’t really dead.

Have fun killing clichés.  Doing so will improve your writing and make it fresh and memorable.

Now that Bittersweet is out, I’ve had some questions about it and wanted to share what happened during the writing of Brand and David’s story. It taught me a few things, trust me.

When I signed up to write two stories for the Hot Comforts anthology from Manlove Romance Press, I pitched the ideas for Giving Thanks and Bittersweet. Several other authors also joined the anthology and it was scheduled for around Thanksgiving 2008. Aspen Mountain Press had agreed to release the stories as standalone ebooks as well.

Because these stories are part of an anthology, it means they really can’t be too long. 20,000 words is a LONG story to have in an anthology. So there’s a maximum reasonable size the editor and publisher expect.

Giving Thanks went pretty well and relatively quickly. I’m happy with it and it really told the whole story I wanted it to.

Bittersweet is a whole other case. I knew a bit about the conflict and the fact it’s very much based on not judging someone by their appearance or what you think they might be like. When I started writing the story, though, I really got into these characters. I sent the first chapter to my test readers and one of them immediately replied that this was NOT a short story.

But it had to be. It needed to be. I literally spent months fighting with this story and trying to force it into an appropriate size and structure. But it fought back. Every time I tried to force Brand and David to get in bed, it came out horribly. Every time I tried to gloss over their personalities and foibles, they seemed like plastic characters. I rewrote it so many times I delayed the whole damned anthology. My deadline was blown and I was so frustrated and in despair it was awful. There’s just no way these characters would behave that way.

Finally I had to step back for a bit from my attempts to force my will on the story and I wrote another chapter, letting myself write what was demanding to be written. There’s a lot of background. There’s a lot of detail and some scenes that don’t have to do with sex but let the readers learn more about who these two people are.

I liked it. It flowed again.

So I finally accepted I could not shoehorn a Happily Ever After into this story. I took it to the point of a Happily For Now but there’s a lot more of this story to come. I’m going to write the rest of their story and see if I can sell it because I want to tell it. There’s pain, misunderstanding, assumptions, sex and love to go.

I know I’ve seen one opinion so far that there wasn’t enough sex and I spent time on things that didn’t matter. I hope that’s not the majority opinion because I love these two characters and the have a compelling and beautiful story to finish. But I did want to share what happened to me while I wrote this story

Bittersweet can be purchased from Aspen Mountain Press!
Giving Thanks can be purchased as a standalone ebook from Aspen Mountain Press as well.

…and I got no privacy…ooo uuu ooo

I used to think that song was a touch on the creepy side, but these days, you don’t know just who is watching you.  (more…)

Before I get distracted (again) by emails, promo, and my latest book, I thought I’d tell you about my new office away from home.
 
Ever since my DH lost his job, I lost my peace and quiet, not to mention time in my home office. He follows me everywhere out of boredom when he’s not actively looking for work. Needless to say, my writing has slowed to a crawl despite my ever-increasing “talks” with him about leaving me alone for a few hours.
 
Desperation began to seep into my brain. Crazy schemes like drugging him into somnolence, killing him and burying him under the vegetable garden, and booting him out of the house were hatched and discarded.
 
More viable plans like getting up early (my best bio-rhythm is for morning hours and working late at night is hopeless, trust me) failed. He’d awaken, feel the empty place next to him, and come find me!
 
I don’t know about anyone else, but my income has been affected by the sluggish economy. I have to work to pay some of the bills. I can’t just take time off. I have deadlines to make, but can’t afford a leased office space, not even a shared one. (more…)

If any of you are on Twitter, Twitter Search #RWAFAIL and/or #RWACHANGE. If you missed it, you should read RWA President Pershing’s comments about what a bunch of hacks e-published authors are:

http://espan-rwa.com/rwa-president-pershing-responds/

I’m usually one of the last to abandon ship, but I did so this year. This shows I made the right decision.

Although all of us here know what a fiasco Trisk was, it wasn’t because it was an electronic publisher. It was a publisher that made bad decisions and had a few other issues. E publishers do come and go, and guess what, so do NY Print publishers. I guess Ms. Pershing hasn’t been reading Publisher’s Weekly recently. Pubs out of business, pubs restructuring, pubs laying off, pubs “down-sizing” their editoral and promotional staffs.

I’ve never been ashamed or sad that I choose to e publish. A) it was my choice B) My conscious feels better about being kinder to our planet C) My writing buddies made here and at other e houses have been as supportive if not more so, than any of the “published” RWA recognized authors I’ve associated with.

E Publishers come in all sizes; EC being the biggest, companies like my Aspen being among the smaller. I’m pretty sure that it is also true of print publishers (ok, so I’m being sarcastic)…and if you were to compare similar tiers in big houses to indie houses you’d probably see the same slide in royalties.

The insistance of making e companies do business the print way is ludicrous. It is barely working for the print companies right now. I don’t know about anyone else, but I was taught to emulate SUCCESSFUL models not failures. Pershing wants epublishers to throw money at authors and thus use that standard as proof that a publishing company is really a publishing company and that an author is really an author.  Another business model that doesn’t apply to e-books and one that has outlived its usefulness (rather like returns).  This is truly a case of comparing apples to oranges. Okay, so both are fruits, and other than the seeds it is pretty much where the similarity ends. Why does RWA insist on comparing ebooks to print books?

They are not the same and it is about time RWA tried trying to make this square peg fit in their round hole.

Lucynda Storey
www.LucyndaStorey.com

A lot of fiction writers are rejected for simple things.  I’ll be posting here little tidbits to help you improve your chances of receiving an acceptance letter.

If you want to improve your writing you really, really need to nail this skill:

Keep a scene to one point of view, view the action through one set of eyes. (more…)

Character emotions remain some of the trickiest writing there is.  All too often authors fall prey to cliche phrases and dilute their writing by telling us what emotion we are supposed to be experiencing, rather than showing us what the character is going through.

In Creating Character Emotions by Ann Hood, authors are provided with a new way of expressing character emotions.  How?  Ms. Hood gives practical exercises drawing upon the author’s memories of experiencing the emotion being discussed.

The book is organized by emotions and then three poor examples are given with an explanation of why they are poor.  The author then follows up with three good examples and explanation.  Finally, she provides the reader with three exercises to write so the reader can create fresh writing for the emotion. (more…)

The Secret Service Agent went on sale this month and is already a bestseller at eReader! Click the banner above to check out the book or my picture below to stop by my official website.