So many of us are pushed for time these days.  Families demand our attention as do our civic commitments.  We get up early trying to get one extra thing done.  We stay up late trying to finish just one more thing from our ever-extending to-do list.

We need more time we groan.  And it’s true, we do need more time.  But…how much time do we manage to waste in a day?

The first thing you need to know is when is your most productive time of the day?  Early morning? Mid afternoon?  Late at night when even the mice are sleeping?

Second, limit the number of items on your ‘to-do’ list to four or five of the most CRITICAL items.  If you absolutely MUST pay your utility bill or be shut off, that becomes a critical item.  Forwarding on the latest Maxine cartoon is not. (more…)

Aspen Mountain Press will launch its new Aurora Regency imprint on July 21, 2010!  Aurora Regency at Aspen Mountain Press is a line devoted to Regency romance. Traditional Regency romances, as exemplified by Georgette Heyer’s work, are first and foremost historical fiction about a very specific (and short) era.  So what are we looking for? Hopefully, this will answer any questions you might have about Aurora Regency’s guidelines.

1)      We expect historical accuracy. This includes language, clothing, customs, etiquette, events and places.  Your book should have rich detail, the appropriate language and slang and an understanding of life in Regency England or, if set outside of England, according to the customs of the country.  That includes behavior appropriate to a character’s life, position and social situation. (For example: divorce was notan option in Regency England so no new divorcées gallivanting at Almack’s in competition with the Season’s loveliest debutantes.)  Historical accuracy will be a consideration in the acceptance of manuscripts and an integral part of the editing process. If your manuscript has several historical errors, you may be asked to revise and resubmit.

2)      We hope for novel plotlines or exciting new twists on old themes. We are open to paranormal or Gothic themes as long as these elements do not compromise the Regency romance genre. So if your impoverished but well-born governess falls in love with the lord of the manor that’s fine. Just make it interesting.

3)      We expect romance—oh, loads of it!  Every kind of hero is fair game in a Regency romance and our heroines should be head over heels in love with them.  But remember—this is a Regency romance.  Spice is okay; jalapeno salsa is not.   In an era were even the smallest infractions would lead to social ruin, well brought up young heroines were virgins on the wedding night. {However, if your Regency is about a member of the demimonde (a courtesan) and is erotic in nature, please indicate this in your query letter.} And, naturally, a HEA is the conclusion of choice.

4)      Great dialogue. In the Regency romance, conversation is well-crafted and engaging. Half of the process of falling in love occurs when the hero and heroine engage in a battle of wits.  Repartee is an art form; conversation is seduction. Anachronistic sayings or language are strongly discouraged.

5)      Society.  Society rules these characters’ lives.  The Season is capitalized for a reason.  As Jane Austen said in Pride and Prejudice, “It is a truth universally acknowledged that a single man in possession of a good fortune, must be in want of a wife.” Society dictates that universal truth, and in a Regency romance Society is where the bridal hunt is carried out.  It can be London or Bath or Brighton or even a simple country parsonage involved in county society—but society (either capitalized or not) is as big a character as any human being.

6)      Fun.  Above all, Regency romances are fun—both to read and to write.  The more adventures your madcap heroine has, the better.  Paranormal Regencies are acceptable as are the more intricate Regency murder mysteries. Even the darker side of the Regency world is fun.

So, do you think your Regency romance fits the bill? Then submit to us!  The Aurora Regency line is published by Aspen Mountain Press, a royalty-paying e-publishing company.  We do not charge fees for set up or charge for editing your story once it has been accepted for publication. Our contracts request rights to the contracted work, including digital and print formats as we will provide some of our titles in print later this year.

Aurora Regency is looking for well-researched Regency romances between 35,000 and 70,000 words, although we will bend on the upper word limit if the story merits it.  Please submit exactly and only the following if you wish your manuscript to receive serious consideration:A query letter in the body of an email with:

Your legal name, pseudonym if applicable and contact email.

Working Title

Manuscript Length

General story description in two paragraphs

Writing Credentials

Include the first chapter (or first twenty pages, whichever is shorter) embedded in the body of the email. We will not open attachments. If we like what we see, we will request the rest of the manuscript. 

If this is a simultaneous submission, please inform us of this in your query letter.  We will consider only COMPLETED manuscripts.  Aspen Mountain Press does not accept proposals from writers unknown to us. Aurora Regency at Aspen Mountain Press will open for submissions on February 15, 2010. Please send all questions and submissions to AuroraRegency@gmail.com.  We accept ONLY e-submissions.  Initial response times are anticipated to be no longer than 2 weeks. 

If you really want to make your writing stand out, you need to actively hunt for clichés in your prose.  Clichés are tried and true, yes, but they are also boring and lazy.  You are a writer who wants to tell the best possible tale…do so by hunting those cliché’s down and killing them.

This may require another author’s eyes.  A critique partner, even a beta reader if you tell them in advance that you want them  to look for clichés.

What are some clichés you can look for?  Here are a FEW.  There are thousands, if not more.

A breath of fresh air.

Dumb as a rock.

Dog tired.

Dog days of summer.

Fresh as a daisy.

Sardines in a can.

Sharp as a tack/pin.

Played like a violin/Stradivarius.

As cold as ice.

Better late than never.

Time flies/time flies when you’re having fun.

Old hat.

No bones about it.

Like the pot calling the kettle black.

Dead as a doornail.

Stiff as a board.

Bored stiff.

Bored to tears/death.

I think you get the idea.  These things creep into our writing without us being aware of them.  Frequently, it takes another set of eyes to reveal these clichés. 

You can take some of these and turn them on their head.  What if you said, “Dead as a zombie”?  This is fresh.  This gives you a different picture of someone that may be dead and just extremely tired.  If you are writing a zombie story, this would be a phrase we’d identify as a thematic phrase because it echoes what your tale is about…zombies.  And, of course, if you use this phrase, you get a very different sort of picture as zombies aren’t entirely dead.  Your character could be telling another character that this person who is dead as a zombie isn’t really dead.

Have fun killing clichés.  Doing so will improve your writing and make it fresh and memorable.

This came from a handout I got not too long ago.  I don’t know if they truly are Barbara Kingslover’s 10 Rules of Writing Fiction, but there is some good advice in them.

1. Your first sentence or paragraph makes a promise that the rest of the story or novel will keep.

2. Give your reader a reason to turn every page.

3. Keep a very large trash can beside your desk. (I follow these faithfully, though I’ve updated the wastebasket to a recycling box.)

4.  Show, don’t tell.  Everybody knows this rule, and most of us still break it in every first draft. Be ruthless. Throw out interior monologue.

(more…)

…and I got no privacy…ooo uuu ooo

I used to think that song was a touch on the creepy side, but these days, you don’t know just who is watching you.  (more…)

Today we lost two people who were influential to the last of the baby boomers.  Farrah Fawcett succumbed to anal cancer today at the age of 62.  Michael Jackson presumably has passed from cardiac arrest just shy of his 51st birthday (Aug. 29th).

Farrah’s stint on Charlie’s Angels brought about the popularity of the layered, blow-dryer look, her locks fabulous.  She also brought attention to Spousal Abuse with her portrayal of a battered wife in “The Burning Bed.”

Michael’s influence on music is as important as that of Elvis.  He made music lyrical again, imbued it with energy and creativity.  His physical ability to do amazing things with dance is still emulated.

Both Farrah and Michael endured a lot of pain, physical, mental, and emotional.  Perhaps now they are enjoying the peace that only a spirit freed of its earthly trappings can have.

May they both rest in that newfound freedom.

A lot of fiction writers are rejected for simple things.  I’ll be posting here little tidbits to help you improve your chances of receiving an acceptance letter.

If you want to improve your writing you really, really need to nail this skill:

Keep a scene to one point of view, view the action through one set of eyes. (more…)

Character emotions remain some of the trickiest writing there is.  All too often authors fall prey to cliche phrases and dilute their writing by telling us what emotion we are supposed to be experiencing, rather than showing us what the character is going through.

In Creating Character Emotions by Ann Hood, authors are provided with a new way of expressing character emotions.  How?  Ms. Hood gives practical exercises drawing upon the author’s memories of experiencing the emotion being discussed.

The book is organized by emotions and then three poor examples are given with an explanation of why they are poor.  The author then follows up with three good examples and explanation.  Finally, she provides the reader with three exercises to write so the reader can create fresh writing for the emotion. (more…)

From time to time things happen that irk us in regards to our jobs/careers/professions.  We’ve all been there, probably more times that any of us would like to count.

Sometimes we really need to blow off steam, vent our frustrations, and just get our irritation off our chests.  There are right ways and wrong ways to go about getting this release. (more…)

Author Barbara Scott is holding a very easy contest. Visit her Itunes link and take a listen to the musical background for her novel Haunts of the Heart, available now at Aspen Mountain Press. 

Haunts of the Heart features one woman’s search for why two ghosts inhabit her childhood home.  The ghosts, Anthony and Neal died during the American Civil War, each under circumstances that neither fully understood.  Deanna attempts to discover what is keeping them tied to her home and in doing so falls in love with Neal.  But Neal’s secrets are as deep as those binding Anthony and while the truth will set each free, the truth is also what will tear their friendship apart and hurt them deeper than their own deaths have.

Highly recommended by Patricia White~Under the Covers Book Reviews who says:

A paranormal, of that much I can be reasonably positive, HAUNTS OF THE HEART is both contemporary and historical, a love story, a ghostly triangle and a real one, a murder, a suicide, an unlikely heroine, and a hero that is far from heroic.  It is a splendid read.  Written with power, verve, sensitivity, and insight, HAUNTS OF THE HEART opens new vistas in the romance genre–where, to my knowledge, it is unique (and most wonderfully so), breaking most of the established “rules” of what a romance should be and making us wonder why the rules were established in the first place.I wish each of you the joy of discovering Ms. Scott’s work.  It is incredible in its scope and vision.  Deanna Butterworth is a heroine you won’t soon forget–but possibly Anthony Linville and the Angel of Death will haunt you longer.  Ms. Scott, you have engaged my mind and tugged at my heart.  My thanks for allowing me the privilege of reviewing your book.

To enter Barbara’s contest, stop by and visit her website, then email her at BScott49 @ Charter.net (no spaces) and let her know you’d like to be a part of her contest.