The beginning of the school year is another chance for you to start anew with your writing dreams.  In order to get your aspirations off the ground you need to work SMART.  Teachers learn about goal setting in their classrooms.  TSWBAT stands for The Student Will Be Able To…and then an achievable, concrete goal is developed, one that has a measurable outcome.

We can take this concept and apply it to our writing using the acronym SMART.

S-is the goal specific? Is it designed to stretch your abilities? I will be able to write 500 words a day five days a week is specific.

M-is the goal meaningful to you as a writer? Will the above goal get you to your over arching goal-that of completing a story or novel?

A- is the goal achievable?  Can you measure your progress? Is the goal too easy, or too difficult?  A goal should stretch you but not discourage you. It may take a bit of trial and error to refine an achievable goal.

R-Is it realistic?  If your goal is achievable, do you have a plan for getting there?  If you set a goal of 5,000 words a day, have you exercised your writing muscles enough to get there or do you have to work up to it?    if you’ve never written a word before 5,000 words is not going to be realistic.

T-is your goal timely?  Do you have an end date you are aiming for?  Will the goal you’ve set be something you can accomplish by the end date? Do you need to rethink either the goal or the date you’d like it to be finished by?  Do a little math.  If you have a goal to write a 60,000 word novel by the end of the year, how many words do you need to write in a week?  How many days of a week are you willing to write?

If you are SMART you can set stretchable, achievable goals and look forward to a bevy of accomplishments.

Hey everyone!

Aspen Mountain Press’ fourth anniversary is coming up in July and we’ve got lots of presents for you, the AMP loyal reader.

Have you been looking for historical fiction and traditional Regency romances? Well, Aurora Regency and Aurora Regency Historicals is the e-publisher for you.  We’re bringing high quality historical novels and novellas to you in the convenience of electronic formats! And on July 23, we’re offering you a sneak peek into the line and the fabulous books we are offering there.

The first Aurora Regency release is Compromising Prudence, by Marguerite Butler. A wonderful madcap Regency in the grand traditions of Georgette Heyer, Compromising Prudence is the first book of her Regency series.

Prudence Wemberly is desperate. Her reputation has been damaged by a cowardly suitor and her overbearing father will disown her when he finds out about it.  She musters her courage and flees to the house of the most notorious courtesan in London.  If she’s ruined, why not become a courtesan herself and have a little fun for a change?  It sounds like a reasonable idea—after she has her third glass of sherry.

Charles Hatterly only wants to pursue his passion for ornithology, but his family expects him to marry and manage the family estates.  He needs to find a well-behaved girl who will be content to marry him—and then leave him alone. 

For a gentleman scientist in need of a wife and a ruined miss in need of a future, there is an obvious solution.  If Prudence and Charles can make it to the altar despite their meddling families, unscrupulous rakes and the brewing scandal that has the ton talking, they just might find more than they bargained for.  Can true love bloom amid the catastrophes that arise from compromising Prudence?

The second Aurora Regency release is The Dangerous Duke, by Arabella Sheraton. If you love the lovely, delicate heroines of Barbara Cartland and the Byronic hero, you’ll really enjoy this amazing return to the emotional oceans of serious Regency romance.

When the beautiful but impoverished Fenella Hawke takes up the position of Companion to the elderly Dowager Duchess of Wyndlesham, she is unprepared for the hostile attitude of the current Duke. The handsome and arrogant Devlin Deverel suspects Fenella has secrets to hide. From the moment they meet, Devlin and Fenella experience an overpowering and frightening attraction.

They try to fight their growing arousal, but find themselves irresistibly drawn to each other. However, when Lady Penelope Vane, Devlin’s extremely jealous mistress, discovers that Devlin’s attentions are wandering, she sets in motion a ruthless plot to discredit Fenella, with the help of her ally, the rakish Sir Marcus Solesby.

The first Aurora Regency Historicals release is The Pursuit by Kimberly Nee. A sweeping story set as the first book of a grand family saga in early America, The Pursuit takes the reader into the involved and sensual realms of historical fictions–reminiscent of both Stephanie Laurens and John Jakes in scope.

Born into privilege, Katherine Bainbridge never thought the day would come when she would be happy to find work as a maid. But having fled London to avoid being tried, convicted and hanged for murder, she will take whatever work she can get, even if the offer comes from the most beautiful man she has ever seen.

Garrett McKenzie needs to staff his new home, but when he sees Katherine, the position that comes to mind does not involve mops and buckets. Determined to woo his lovely new maid into his bed, he will do whatever necessary to keep her there.

But when Katherine’s past comes back to haunt her, Garrett will do whatever he has to in order to prove to her that she can trust him with her life, as well as with her love.

I’ve been very excited working with these three talented authors–and even more excited about other authors who will be coming on board the Aurora imprints as the year progresses. Our grand launch is slated for October 15, 2010–with another traditional Regency romance from Marguerite Butler–Becoming Mr. Brooking–and an incredible surprise for our readers as well.

I am delighted and thrilled to announce Author Jennifer Horsman, the popular and beloved writer of Crimson Rapture and A Kiss In The Night, has signed with Aurora Regency and will reissue her popular and beloved novels from the 1980s and 1990s in e-publishing formats. Ms. Horsman, who published with Kensington/Zebra and Avon, is not only a pleasure to work with but an absolute doll to know. Her first reissue, Magic Embrace, will be released upon our grand launch on October 15, followed by A Kiss In The Night in November. We will release one of Ms. Horsman’s novels every 4-6 weeks, bringing her fans the comfort of these familiar and revered books to meet the convenience and ease of the e-reader, the i-pad, and the computer.

So keep an eye on Aurora Regency and Aurora Regency Historicals! Now only are we bringing you the writers of the future in historical romance but we’re reacquainting you with the pillars of the genre–one book at a time! In the coming weeks, we’ll have introductory interviews with the new AR/ARH authors, guest blogs, blurbs, excerpts and all sorts of fun. On July 15th, the Aurora authors and I have taken over the Love Romances and More e-cafe all day, where we’ll be discussing the new imprint and giving away lots of great things.

 And happy fourth anniversary from Aspen Mountain Press!  Stay tuned to this blog for more details on other presents we’re giving out for our anniversary–presents for YOU. 

So many of us are pushed for time these days.  Families demand our attention as do our civic commitments.  We get up early trying to get one extra thing done.  We stay up late trying to finish just one more thing from our ever-extending to-do list.

We need more time we groan.  And it’s true, we do need more time.  But…how much time do we manage to waste in a day?

The first thing you need to know is when is your most productive time of the day?  Early morning? Mid afternoon?  Late at night when even the mice are sleeping?

Second, limit the number of items on your ‘to-do’ list to four or five of the most CRITICAL items.  If you absolutely MUST pay your utility bill or be shut off, that becomes a critical item.  Forwarding on the latest Maxine cartoon is not. (more…)

Aspen Mountain Press will launch its new Aurora Regency imprint on July 21, 2010!  Aurora Regency at Aspen Mountain Press is a line devoted to Regency romance. Traditional Regency romances, as exemplified by Georgette Heyer’s work, are first and foremost historical fiction about a very specific (and short) era.  So what are we looking for? Hopefully, this will answer any questions you might have about Aurora Regency’s guidelines.

1)      We expect historical accuracy. This includes language, clothing, customs, etiquette, events and places.  Your book should have rich detail, the appropriate language and slang and an understanding of life in Regency England or, if set outside of England, according to the customs of the country.  That includes behavior appropriate to a character’s life, position and social situation. (For example: divorce was notan option in Regency England so no new divorcées gallivanting at Almack’s in competition with the Season’s loveliest debutantes.)  Historical accuracy will be a consideration in the acceptance of manuscripts and an integral part of the editing process. If your manuscript has several historical errors, you may be asked to revise and resubmit.

2)      We hope for novel plotlines or exciting new twists on old themes. We are open to paranormal or Gothic themes as long as these elements do not compromise the Regency romance genre. So if your impoverished but well-born governess falls in love with the lord of the manor that’s fine. Just make it interesting.

3)      We expect romance—oh, loads of it!  Every kind of hero is fair game in a Regency romance and our heroines should be head over heels in love with them.  But remember—this is a Regency romance.  Spice is okay; jalapeno salsa is not.   In an era were even the smallest infractions would lead to social ruin, well brought up young heroines were virgins on the wedding night. {However, if your Regency is about a member of the demimonde (a courtesan) and is erotic in nature, please indicate this in your query letter.} And, naturally, a HEA is the conclusion of choice.

4)      Great dialogue. In the Regency romance, conversation is well-crafted and engaging. Half of the process of falling in love occurs when the hero and heroine engage in a battle of wits.  Repartee is an art form; conversation is seduction. Anachronistic sayings or language are strongly discouraged.

5)      Society.  Society rules these characters’ lives.  The Season is capitalized for a reason.  As Jane Austen said in Pride and Prejudice, “It is a truth universally acknowledged that a single man in possession of a good fortune, must be in want of a wife.” Society dictates that universal truth, and in a Regency romance Society is where the bridal hunt is carried out.  It can be London or Bath or Brighton or even a simple country parsonage involved in county society—but society (either capitalized or not) is as big a character as any human being.

6)      Fun.  Above all, Regency romances are fun—both to read and to write.  The more adventures your madcap heroine has, the better.  Paranormal Regencies are acceptable as are the more intricate Regency murder mysteries. Even the darker side of the Regency world is fun.

So, do you think your Regency romance fits the bill? Then submit to us!  The Aurora Regency line is published by Aspen Mountain Press, a royalty-paying e-publishing company.  We do not charge fees for set up or charge for editing your story once it has been accepted for publication. Our contracts request rights to the contracted work, including digital and print formats as we will provide some of our titles in print later this year.

Aurora Regency is looking for well-researched Regency romances between 35,000 and 70,000 words, although we will bend on the upper word limit if the story merits it.  Please submit exactly and only the following if you wish your manuscript to receive serious consideration:A query letter in the body of an email with:

Your legal name, pseudonym if applicable and contact email.

Working Title

Manuscript Length

General story description in two paragraphs

Writing Credentials

Include the first chapter (or first twenty pages, whichever is shorter) embedded in the body of the email. We will not open attachments. If we like what we see, we will request the rest of the manuscript. 

If this is a simultaneous submission, please inform us of this in your query letter.  We will consider only COMPLETED manuscripts.  Aspen Mountain Press does not accept proposals from writers unknown to us. Aurora Regency at Aspen Mountain Press will open for submissions on February 15, 2010. Please send all questions and submissions to AuroraRegency@gmail.com.  We accept ONLY e-submissions.  Initial response times are anticipated to be no longer than 2 weeks. 

If you really want to make your writing stand out, you need to actively hunt for clichés in your prose.  Clichés are tried and true, yes, but they are also boring and lazy.  You are a writer who wants to tell the best possible tale…do so by hunting those cliché’s down and killing them.

This may require another author’s eyes.  A critique partner, even a beta reader if you tell them in advance that you want them  to look for clichés.

What are some clichés you can look for?  Here are a FEW.  There are thousands, if not more.

A breath of fresh air.

Dumb as a rock.

Dog tired.

Dog days of summer.

Fresh as a daisy.

Sardines in a can.

Sharp as a tack/pin.

Played like a violin/Stradivarius.

As cold as ice.

Better late than never.

Time flies/time flies when you’re having fun.

Old hat.

No bones about it.

Like the pot calling the kettle black.

Dead as a doornail.

Stiff as a board.

Bored stiff.

Bored to tears/death.

I think you get the idea.  These things creep into our writing without us being aware of them.  Frequently, it takes another set of eyes to reveal these clichés. 

You can take some of these and turn them on their head.  What if you said, “Dead as a zombie”?  This is fresh.  This gives you a different picture of someone that may be dead and just extremely tired.  If you are writing a zombie story, this would be a phrase we’d identify as a thematic phrase because it echoes what your tale is about…zombies.  And, of course, if you use this phrase, you get a very different sort of picture as zombies aren’t entirely dead.  Your character could be telling another character that this person who is dead as a zombie isn’t really dead.

Have fun killing clichés.  Doing so will improve your writing and make it fresh and memorable.

This came from a handout I got not too long ago.  I don’t know if they truly are Barbara Kingslover’s 10 Rules of Writing Fiction, but there is some good advice in them.

1. Your first sentence or paragraph makes a promise that the rest of the story or novel will keep.

2. Give your reader a reason to turn every page.

3. Keep a very large trash can beside your desk. (I follow these faithfully, though I’ve updated the wastebasket to a recycling box.)

4.  Show, don’t tell.  Everybody knows this rule, and most of us still break it in every first draft. Be ruthless. Throw out interior monologue.

(more…)

…and I got no privacy…ooo uuu ooo

I used to think that song was a touch on the creepy side, but these days, you don’t know just who is watching you.  (more…)

Today we lost two people who were influential to the last of the baby boomers.  Farrah Fawcett succumbed to anal cancer today at the age of 62.  Michael Jackson presumably has passed from cardiac arrest just shy of his 51st birthday (Aug. 29th).

Farrah’s stint on Charlie’s Angels brought about the popularity of the layered, blow-dryer look, her locks fabulous.  She also brought attention to Spousal Abuse with her portrayal of a battered wife in “The Burning Bed.”

Michael’s influence on music is as important as that of Elvis.  He made music lyrical again, imbued it with energy and creativity.  His physical ability to do amazing things with dance is still emulated.

Both Farrah and Michael endured a lot of pain, physical, mental, and emotional.  Perhaps now they are enjoying the peace that only a spirit freed of its earthly trappings can have.

May they both rest in that newfound freedom.

A lot of fiction writers are rejected for simple things.  I’ll be posting here little tidbits to help you improve your chances of receiving an acceptance letter.

If you want to improve your writing you really, really need to nail this skill:

Keep a scene to one point of view, view the action through one set of eyes. (more…)

Character emotions remain some of the trickiest writing there is.  All too often authors fall prey to cliche phrases and dilute their writing by telling us what emotion we are supposed to be experiencing, rather than showing us what the character is going through.

In Creating Character Emotions by Ann Hood, authors are provided with a new way of expressing character emotions.  How?  Ms. Hood gives practical exercises drawing upon the author’s memories of experiencing the emotion being discussed.

The book is organized by emotions and then three poor examples are given with an explanation of why they are poor.  The author then follows up with three good examples and explanation.  Finally, she provides the reader with three exercises to write so the reader can create fresh writing for the emotion. (more…)