So many of us are pushed for time these days.  Families demand our attention as do our civic commitments.  We get up early trying to get one extra thing done.  We stay up late trying to finish just one more thing from our ever-extending to-do list.

We need more time we groan.  And it’s true, we do need more time.  But…how much time do we manage to waste in a day?

The first thing you need to know is when is your most productive time of the day?  Early morning? Mid afternoon?  Late at night when even the mice are sleeping?

Second, limit the number of items on your ‘to-do’ list to four or five of the most CRITICAL items.  If you absolutely MUST pay your utility bill or be shut off, that becomes a critical item.  Forwarding on the latest Maxine cartoon is not. (more…)

Mythos 1: Bride of Death has been released by Aspen Mountain Press!  This is the first book in my Mythos series, a collection of Greco-Roman myths retold with a modern narrative voice.  I remain true to the original classical sources, which means reinjecting these stories with the original sensual context of the stories.  Most mythologies are of a sexual nature, and despite centuries of vanilla-izing still have those erotic overtones.  The story behind Bride of Death is the myth of Hades, the god of the Underworld, and his wife, Persephone, the personification of the spring maiden.  The story of their relationship was meant to explain the changing of the seasons–while the spring maiden is on earth with her mother, the world thrives and bears fruit.  But, when she is in the Underworld with her husband, winter descends upon the planet as Demeter grieves for her daughter.  Persephone is an early personification of sexual power–in the end, her allure is intense enough to bring Death himself to his knees.

You can pick up a copy of Mythos 1: Bride of Death at http://www.aspenmountainpress.com/new-releases/bride-of-death/prod_304.html.  You can read an excerpt of the story either on that page or on my website Shoot The Muse! 

Synopsis:When the mischievous god of love targets Hades, the god of death falls hopelessly in love with the spring maiden Persephone, the one immortal most ill-suited for his dark domain. Her mother Demeter will never allow the Lord of the Underworld to court her beloved daughter. The king of the gods proposes an unconventional solution: Hades may kidnap Persephone and take her to the Underworld to woo her. If Persephone agrees to marry Hades, Zeus will support the match.

But neither god has reckoned on Demeter’s inconsolable grief at the loss of her daughter.  If Persephone is not returned to her, the goddess has vowed to destroy all life. Can Hades win Persephone’s heart before her mother discovers who has taken her? Or will Persephone make her own wishes known as the intended bride of death? Even in the world of immortals, time is not on Hades’ side.

If you love gay romances with shapeshifters and a healthy dose of thriller, you will be sure to enjoy this week’s release by Emily Veinglory.  Kerry is a werewolf and Bern is a vampire and the two are on the run, seemingly from everybody.  A strange situation for two men employed by the local police agency.

Bern is a quiet sort of man who works as a receptionist at a police station.  He is legally registered as a vampire.  Not so, Kerry, a born werewolf, who is keeping his paranormal status quiet.  But when a murder takes place, Kerry knows that he’ll be suspect number one.  The victim was attacked by a wolf.

Prejuidice takes shape in all sorts of forms and this time it is between humans and ‘otherkin’; and between the ‘born’ not ‘made’ groups of paranormals.  Kerry and Bern have trouble all around them and it’s going to take a lot for an unasumming vampire to step up and keep Kerry safe.

Visit Aspen Mountain Press today and pick up a copy of Blue Murder.

At the end of January I attended Digital Book World in New York City.  The two day event was interesting. The first day was spent doing a lot of hand-holding for print publishers and talking about price-fixing (I’m pretty sure that is illegal according to anti-trust laws, but my history is rusty) and the Apple iPad.  There was even a speech about how publishers could save money on shipping by using another company’s product and procedure…that had absolutley nothing to do with digital books or digital publishing.

The real treat, for me, came on day two.  I listened to Raelene Gorlinsky tell the audience how Ellora’s Cave made $5 million dollars selling just eBooks within a few years of their opening (Ellora’s Cave is TEN this year); and that they’ve been around as long as they have been selling eBooks.  There was literally a corporate gasp from the tables near where I sat and then a stunned sort of silence.

Publishing has changed.  This isn’t new news.  In the ancient days, books, the few there were had to be copied by hand.  This made them highly valuable to the owner and costly as well.  Then along came Guttenberg.  Books came down in price.  Then came Luther and others like him who had the radical idea that books should be in your home language.  The Industrial Revolution automated the publishing material.  Costs dropped again. (more…)

Aspen Mountain Press is excited to announce three releases this week:

Phlogiston by Jefferson Dane; Storykeeper by Jade Buchanan; and Julian’s Second Chance by Claire Thompson.

In Jefferson Dane’s debut fantasy, Phlogiston, someone wants to break the truce humans have had with the dragons by murdering a noblewoman.  Can an apprentice scholar and a merchant savant hiding a dark secret uncover the mystery in time to prevent a war?

While this is Jefferson Dane’s first fantasy with Aspen Mountain Press, it isn’t his first work.  If you enjoy horror you may also enjoy Dane’s Flyover.  What happens in the night in Afghanistan where there is more to worry about than the Taliban?

Storykeeper by Jade Buchanan features an immortal falling for a human.  The Storykeeper provides inspiration, gives dreams and acts as a muse to those who put words to paper whether they are singers or writers or storytellers.  Never before, has this storykeeper allowed himself to dream.  But that is about to change when Enitan meets Jason after hearing him read one of the stories Enitan had inspired.   Enitan has never dared to hope there could be something in the world such as love for him.  Never before has he known if the possibility existed to find happiness with a human.  Will Enitan be able to claim Jason’s heart and give his in return?  And if so, what will be the cost?  Pick up a copy of Storykeeper and find out what the future holds for Enitan and Jason.  

Our next story is a tale of self-denial and perhaps, love deferred.  In Julian’s Second Chance by Claire Thompson, one man, Julian denies the attraction he feels for a friend he’s met on a trip to Sri Lanka. 

Julian fears the cost of his attraction to Alex, including the repercussions from his family will be more than he can bear.  Yet, he can’t forget the time the two men spent together. 

When a meeting brings them together once more, six years later, Julian is older and wiser.  But Alex is no longer the same man he spurned and has moved on with his life, relegating Julian to the past.  Delve into the denial and self-deception two men use to protect themselves from emotional pain in this re-release by talented author, Claire Thompson.

Now that Bittersweet is out, I’ve had some questions about it and wanted to share what happened during the writing of Brand and David’s story. It taught me a few things, trust me.

When I signed up to write two stories for the Hot Comforts anthology from Manlove Romance Press, I pitched the ideas for Giving Thanks and Bittersweet. Several other authors also joined the anthology and it was scheduled for around Thanksgiving 2008. Aspen Mountain Press had agreed to release the stories as standalone ebooks as well.

Because these stories are part of an anthology, it means they really can’t be too long. 20,000 words is a LONG story to have in an anthology. So there’s a maximum reasonable size the editor and publisher expect.

Giving Thanks went pretty well and relatively quickly. I’m happy with it and it really told the whole story I wanted it to.

Bittersweet is a whole other case. I knew a bit about the conflict and the fact it’s very much based on not judging someone by their appearance or what you think they might be like. When I started writing the story, though, I really got into these characters. I sent the first chapter to my test readers and one of them immediately replied that this was NOT a short story.

But it had to be. It needed to be. I literally spent months fighting with this story and trying to force it into an appropriate size and structure. But it fought back. Every time I tried to force Brand and David to get in bed, it came out horribly. Every time I tried to gloss over their personalities and foibles, they seemed like plastic characters. I rewrote it so many times I delayed the whole damned anthology. My deadline was blown and I was so frustrated and in despair it was awful. There’s just no way these characters would behave that way.

Finally I had to step back for a bit from my attempts to force my will on the story and I wrote another chapter, letting myself write what was demanding to be written. There’s a lot of background. There’s a lot of detail and some scenes that don’t have to do with sex but let the readers learn more about who these two people are.

I liked it. It flowed again.

So I finally accepted I could not shoehorn a Happily Ever After into this story. I took it to the point of a Happily For Now but there’s a lot more of this story to come. I’m going to write the rest of their story and see if I can sell it because I want to tell it. There’s pain, misunderstanding, assumptions, sex and love to go.

I know I’ve seen one opinion so far that there wasn’t enough sex and I spent time on things that didn’t matter. I hope that’s not the majority opinion because I love these two characters and the have a compelling and beautiful story to finish. But I did want to share what happened to me while I wrote this story

Bittersweet can be purchased from Aspen Mountain Press!
Giving Thanks can be purchased as a standalone ebook from Aspen Mountain Press as well.

July 21st, 2009 was the 3rd anniversary of the opening of Aspen Mountain Press and The Romance Studio helped us celebrate with a drawing.

RoxAnn won five downloads of her choice, downloads that will go far in alleviating the dog days of summer.  What did RoxAnn select from over 220 stories?  She chose the following: (more…)

The Asphodel Cycle 4: Apostle of Asphodel

Author: Celina Summers

Artist: Renee George

BUY LINK: http://www.aspenmountainpress.com/apostle-of-asphodel/prod_263.html

Tamsen Ka’antira has grown into a woman of incredible power as the Virgin Huntress’ player in the game of the gods. After discovering the Hippolytes, a fabled race of women devoted to the arts of combat, she must lead them back to the plains of Ilia to fight the greatest war of antiquity again. The pantheon of gods awaits her in their Hall of Judgment, where the ultimate fate of the Elven Realm will be determined. (more…)

The shaman “Lizard” is one of the two-souled-ones, a Berdache. Lizard must convince his proud and stubborn childhood friend, Red Wolf, one of the finest warriors of his village, that he too is a Berdache and must take the shaman training, before he loses his mind.

A call for aid comes, so the Berdache, his friend Red Wolf, and the beautiful Chickasaw slave, Born In Moonlight, take the journey to hopefully avoid a war. Will these three give in to the closeness they feel or will they be forever separated by the dangers they face from both the Spirit World, and the world that surrounds them.

Excerpt:

With the swiftness of a badger, Red Wolf’s hands clamped down on Lizard’s arms. The dream-crazed warrior yanked the Berdache to his chest with total disregard for dignity. All Lizard managed was a gasp of surprise before Red Wolf’s lips clamped down on his.

Lizard’s mouth was open from his gasp, and Red Wolf forced it open further with his tongue. The violent kiss, full of an unspoken need, aroused in Lizard a burning heat. Tongues tangled and fought, each vying for supremacy. Some force in Lizard demanded he not submit, until he was sure it was truly a choice on Red Wolf’s part, and not the dream that made him act thus.

With a moan, Red Wolf broke the kiss. “You with your maiden’s hair and shaman’s skills. You call to me like no other. I don’t understand you or the battles you fight, but I know now that you make war with an unseen enemy. It is enough.” (more…)

If any of you are on Twitter, Twitter Search #RWAFAIL and/or #RWACHANGE. If you missed it, you should read RWA President Pershing’s comments about what a bunch of hacks e-published authors are:

http://espan-rwa.com/rwa-president-pershing-responds/

I’m usually one of the last to abandon ship, but I did so this year. This shows I made the right decision.

Although all of us here know what a fiasco Trisk was, it wasn’t because it was an electronic publisher. It was a publisher that made bad decisions and had a few other issues. E publishers do come and go, and guess what, so do NY Print publishers. I guess Ms. Pershing hasn’t been reading Publisher’s Weekly recently. Pubs out of business, pubs restructuring, pubs laying off, pubs “down-sizing” their editoral and promotional staffs.

I’ve never been ashamed or sad that I choose to e publish. A) it was my choice B) My conscious feels better about being kinder to our planet C) My writing buddies made here and at other e houses have been as supportive if not more so, than any of the “published” RWA recognized authors I’ve associated with.

E Publishers come in all sizes; EC being the biggest, companies like my Aspen being among the smaller. I’m pretty sure that it is also true of print publishers (ok, so I’m being sarcastic)…and if you were to compare similar tiers in big houses to indie houses you’d probably see the same slide in royalties.

The insistance of making e companies do business the print way is ludicrous. It is barely working for the print companies right now. I don’t know about anyone else, but I was taught to emulate SUCCESSFUL models not failures. Pershing wants epublishers to throw money at authors and thus use that standard as proof that a publishing company is really a publishing company and that an author is really an author.  Another business model that doesn’t apply to e-books and one that has outlived its usefulness (rather like returns).  This is truly a case of comparing apples to oranges. Okay, so both are fruits, and other than the seeds it is pretty much where the similarity ends. Why does RWA insist on comparing ebooks to print books?

They are not the same and it is about time RWA tried trying to make this square peg fit in their round hole.

Lucynda Storey
www.LucyndaStorey.com